This is part of a series of posts about the ‘little of visualisation design’, respecting the small decisions that make a big difference towards the good and bad of this discipline.
This is part of a series of posts about the ‘little of visualisation design’, respecting the small decisions that make a big difference towards the good and bad of this discipline.
This is part of a series of posts about the ‘little of visualisation design’, respecting the small decisions that make a big difference towards the good and bad of this discipline.
I am delighted to announce the completion, the unboxing, and finally now the launch of my new data visualisation project, The Seinfeld Chronicles, a book exploring the rhythm and texture of every episode of Seinfeld.
A couple of years ago I embarked on a passion project to visualise Seinfeld, with the ambition of creating a large, detailed printed product to explore the rhythm and architecture of how this show was composed.
As somebody who tries to consume as much visualisation work as possible, I always get a little extra joy from seeing clusters of the same techniques emerging. One such recent trend has been the use of simplified slope graphs.
This is part of a series of posts about the ‘little of visualisation design’, respecting the small decisions that make a big difference towards the good and bad of this discipline.
This is part of a series of posts about the ‘little of visualisation design’, respecting the small decisions that make a big difference towards the good and bad of this discipline.
This is part of a series of posts about the ‘little of visualisation design’, respecting the small decisions that make a big difference towards the good and bad of this discipline.
This is part of a series of posts about the ‘little of visualisation design’, respecting the small decisions that make a big difference towards the good and bad of this discipline.